Aperture is a fundamental part of photography. It makes up one-third of the exposure triangle and is relevant to every photo you take. Aperture gives you creative control over exposure and depth of field. If you’re getting started in photography, you definitely need to know about aperture.
But what is aperture exactly? How does it work? How can you use aperture to affect your photos? These are the questions we’re going to answer in this post. We’ll give you all the aperture information you need to know. And by the end, you’ll be an aperture expert.
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What is Aperture?
Generally speaking, an aperture is a hole or a gap. When we talk about aperture in photography, we refer to the lens hole. The lens aperture allows light to the film or camera sensor, exposing the image.
The aperture of a camera lens is adjustable. Light conditions vary depending on when and where you’re shooting. And different situations have different light requirements to get the correct photo exposure.
The lens aperture can be changed from small to large and narrow to wide. A small aperture allows less light to pass through it. And a large aperture lets in more light. A good camera lens will have a series of aperture sizes, ranging from small to large.
The lens aperture works like the pupil of the human eye. When conditions are bright with lots of light, the pupil is small. But when it’s dark, the pupil expands to let more light into the eye. It’s the same principle for aperture in photography.
Following this logic, we can use a smaller aperture if we’re working in a scene with a lot of light. This stops too much light from getting to the sensor and overexposing the image.
If the scene is darker, we can go for a larger aperture. The wider aperture allows more light to the sensor, so our image isn’t underexposed. You can also use the aperture to make a light scene darker or a dark scene brighter.
The basic theory of a camera aperture is simple enough on its own. But aperture is only a third of the story. To fully understand aperture in photography, we need to look at the whole exposure triangle.
The Exposure Triangle
Aperture is one corner of the exposure triangle. The other two are shutter speed and ISO. The basic art of photography is finding a balance between these three components to achieve the perfect exposure for your images.
Exposure is the amount of light that reaches the camera sensor or film. If your image is overexposed, it has received too much light. If your image is underexposed, it hasn’t received enough light.
You need to have shutter speed, ISO, and aperture settings that work in harmony to get the perfect exposure. Whenever you change one of these settings, the other two have to change as well.
Shutter speed refers to the amount of time your camera shutter is open. The shutter is usually closed. But when you press the button to take a picture, the shutter opens. When the shutter is open, light passes through the aperture onto the sensor.
If you’re using a fast shutter speed, like 1/1000 s, the shutter is only open for a short time. It means only a tiny amount of light gets through. A longer shutter speed allows more light onto the sensor.
If we’re using a fast shutter speed, we’ll need a larger aperture for the correct exposure. If the shutter speed is slow, we need a small aperture. But if you’re using a shutter speed slower than 1/125 s, you’ll see motion blur and camera shake in your images.
ISO refers to how sensitive a film or camera sensor is to light. In film photography, each roll of film will have a fixed ISO number. But on a digital camera, you can adjust the ISO with the click of a button.
The ISO is identified by a number. And this number tells you how sensitive your film or sensor is. The lower the ISO number, the less light sensitivity you have. The higher the number, the more sensitivity you have.
While higher ISO numbers work better in darker conditions, there is a cost in quality. The higher the ISO, the more you’ll experience grain and noise in your images. Lower ISOs like 100 or 200 are limited with light conditions. But the image quality is better.
Finding Balance in the Exposure Triangle
No matter what camera you’re using, photography is a case of finding the correct settings for aperture, shutter speed, and ISO. Each setting has to balance the other two so you don’t under or overexpose your image.
The setting choices will also be affected by the lighting conditions. If you have lots of light, you might want to use a low ISO for maximum quality. Then you’ll have to adjust to slower shutter speeds and larger apertures.
If you’re shooting fast action like sports, you’ll want a fast shutter speed so there’s no motion blur. You’ll have to increase to a larger aperture and a higher ISO to compensate.
Mastering these three elements is the key to photography. Balancing them for a perfect exposure gives you a great deal of freedom.
But it’s not just about getting the perfect exposure. You can use aperture for other creative effects, like depth of field. We’ll take a look at how aperture affects depth of field later in this article.
Understanding Aperture in Photography
Photography has a lot of terminology and jargon that goes with it. Once you’ve been around the block a few times, you get used to it. And you’ll even start using these complicated terms. But when you’re just starting, the language can be confusing.
Aperture has its own words and terminology that can put your head in a spin. But we will help you understand so you become an aperture master.
People use different words when referring to the size of the aperture. Some will say a lens aperture is large or small, while others say it’s wide or narrow. Both are perfectly acceptable.
When the hole is as wide open as it’ll go, this is the maximum aperture. And when it’s at its smallest, this is the minimum aperture.
You also need to know about “fast” lenses. You might assume this refers to zoom speed or autofocus. But a fast lens has a large or wide maximum aperture. This term is usually associated with telephoto lenses.
The F-Stop Scale
So far, we’re referred to aperture sizes in general terms. They’re either small or large or wide or narrow. But lens apertures in photography are measured on an exact scale. Every camera and lens manufacturer uses this measurement scale, so it’s consistent across all brands.
Apertures are measured on the f-stop scale. This is why aperture sizes are denoted as f/1.4 or f/22, for example. You’ll see this in photography literature and camera manuals. People might also say the “f-number,” “f-stop,” or “f-stop number.”
You’ll see these numbers on the aperture control on your lens. But most lenses just have the numbers without the “f/” before it. Digital cameras are a bit more straightforward. They display an aperture number with the letter F on the control screen.
Here are a couple of examples of f-stop settings:
- A 50mm lens with the aperture of f/2 = a lens opening 25mm wide (50mm/2)
- A 50mm lens, with the aperture of f/8 = a lens opening 6.25mm wide (50mm/8)
You can see the full f-stop scale in the image below.
Notice that wider apertures have lower f-numbers and narrower apertures have higher f-numbers. It can be confusing at first, but this is because they are measured in fractions. The larger the fraction, the smaller the aperture.
An f-number doesn’t have an exact measurement that’s universal across all lenses. An f/8 aperture on a 50mm lens will be a different size than an f/8 on a 200mm lens. But this factional system of measurement is universal across manufacturers. All brands stick to the same system.
Some of the latest digital cameras have increased the number of available f-stops. They’ve introduced “third-stops,” which sit in between the standard apertures on the scale. For example, you might find an f/3.2 in between f/2 and f/4. This gives you more aperture control.
Lenses and Aperture in Photography
This section looks at how different lenses affect the aperture settings. We’ll look at the difference between prime and zoom lenses and their relation to your aperture options.
A prime lens has a fixed focal length, meaning it doesn’t have zoom capabilities. But they’re often favored by professionals because of their quality and usability.
Another reason for their popularity is the aperture range and control they give the user. A good quality prime lens will have a maximum aperture of f/1.4. You might even get an f/1.2 if you’re lucky.
A wider maximum aperture gives you greater creative control when you’re shooting. Wider apertures allow you to shoot in low-light conditions. And the wide aperture range means you don’t have to change the lens if conditions change.
The wider apertures also give you more control over depth of field. We’ll go into depth of field in more detail later in the article. But achieving a soft bokeh effect with a shallow depth of field makes prime lenses popular in portrait photography.
Variable Aperture Lenses
Variable aperture lenses are a type of zoom lens. Zoom lenses have a changeable focal length, unlike prime lenses. If you have a 70-200mm zoom lens, you can adjust the focal length between 70mm and 200mm. And the lens zooms as you move to the higher end.
Moving from the minimum to the maximum focal length also affects the aperture. With variable aperture lenses, you lose access to some of the wider apertures as you increase the focal length.
When using the lens at 70mm, you might have a maximum aperture of f/2. But as you zoom in, your maximum aperture will become smaller. At 200mm, you might have a maximum aperture of f/4 or f/5.6.
A reduced maximum aperture means you lose some creative control. You need more light to get the correct exposure. And you don’t get the effects of a wide aperture, like shallow depth of field.
Variable aperture lenses don’t affect the minimum aperture of your lens. You can go as high as you like, right across the focal length range. You can use aperture f/11 from 70mm to 200mm.
Variable aperture lenses tend to be at the cheaper end of the market. Top-of-the-range zoom lenses have a fixed maximum aperture. It’s usually not as wide as the maximum of a prime lens, but you can still find “fast” zoom lenses with a wide aperture.
You need to consider the maximum aperture when buying a zoom lens. Thankfully, the maximum aperture is often in the title of the lens. The Canon EF 70-200mm f/2.8L IS III lens has f/2.8—the maximum aperture.
In theory, the aperture is one of the most straightforward controls on your camera. You select the aperture you want to use and start snapping. Sometimes it is that simple. But there are certain things you need to consider. And there are different ways of controlling it.
We’ve seen how the lens you use can affect your aperture options. And different cameras have different aperture controls. Some are manual, while others have an auto mode or an aperture priority mode.
When working with traditional 35mm cameras, the aperture control is on the lens, not the camera. All the f-stops are listed on the lens, although often without the “f/.” To change the aperture, you turn the ring to the f-number you want.
Early generation SLR cameras have nothing to help you get the proper exposure. Setting the correct aperture, shutter speed, and ISO was all down to you. But later, cameras introduced an internal light meter.
The internal light meter recommends an aperture based on the other settings and the light you have available. Then you turn the aperture ring to the correct f-stop.
Later, SLR models introduced more manual aperture settings. The Canon AE-1 introduced an auto-aperture mode. You turn the ring to the “A” option, and the camera automatically chooses the best aperture setting. You just set the ISO and the shutter speed, and the system selects the appropriate aperture.
Later, the Canon A-1 also introduced a shutter speed priority and aperture priority mode. Automated exposure settings became a standard feature for film cameras until their demise in the 2000s.
Since the world turned to digital photography, aperture controls have changed. You can change the aperture on the menu screen of your digital camera. And there will also be a button or wheel on the outer shell. The exact location will depend on the model of the camera.
Nikon cameras have a wheel to change the aperture. It sits on the right side at the front of the camera, so you can change it with your index finger while you shoot. Canon models also have a wheel, but it sits on the top with the other controls. Other camera brands vary.
Fully Auto Mode
Most digital cameras have an auto mode. All you need to do is point and shoot. The camera does all the exposure calculations for you. It sets the ISO, the shutter speed, and the appropriate aperture for the light conditions.
The camera uses the internal light meter to do the calculations. And on the newest top-end models, these light meters are very sophisticated. You don’t need to worry about a thing. The camera will expose your shot perfectly.
Auto mode is great for beginners or if you only want a quick snap. They’re excellent if you need to concentrate on what’s going on around you. You don’t want to miss the shot by getting lost in your settings.
But auto modes offer no creative control. They’re designed to achieve the perfect exposure. The computer doesn’t make artistic decisions. It only wants a well-exposed image. If you want to see how aperture affects your image, you need to take back control.
Av and Tv Modes
If you look on the mode knob on the top of the camera, you’ll see Av and Tv modes next to auto. These are two semi-automatic shooting modes. They allow you to concentrate on what you’re shooting while giving you more creative control than auto mode.
Av is aperture priority mode, and Tv is shutter priority mode. These modes let you team up with the camera’s computer, sharing the exposure burden. They’re an excellent way to step away from fully auto mode. They allow you to ease your way into manual controls.
Aperture Priority Mode (Av)
Aperture priority mode puts the aperture controls in your hands. You’re free to select whichever aperture you have available. You’re only limited to the f-stops of your camera lens.
While you have the power over the aperture, the camera adjusts the shutter speed and ISO to balance the exposure. You share the exposure responsibilities with the camera.
If you’re shooting landscape photography, everything in the shot should be in focus. You’ll need a narrow aperture for this kind of photography, like f/16 or f/22.
Once you’ve selected your aperture, the camera won’t change that setting. The camera will adjust the shutter speed and ISO to compensate for the narrow aperture. It’ll work around your aperture choice to ensure your shot has enough light.
If you want a shallow depth of field for a portrait, you can fix the aperture to an f-stop at the other end. If you select f/1.8, the camera will work around that decision. It’ll select the appropriate shutter and ISO settings.
Aperture priority mode is a great tool for learning how to use aperture for creative photography. You can move away from fully auto mode, but you’re not jumping into the deep end right away.
Shutter Priority Mode (Tv)
Shutter priority mode works in much the same way as aperture priority. But this time, you’re in control of the shutter speed. You select the shutter speed you want, and the camera will adjust the ISO and aperture settings to balance the exposure.
Tv mode is useful when shooting fast-moving action, like sports photography. You need a fast shutter to capture the action without motion blur. A football match will turn into one big blur with a slow shutter. The same goes for fast animals in wildlife photography.
Shutter priority mode is another excellent tool for learning on the job. You can take some of the responsibility away from the camera, but you’re not left on your own. You can focus on getting the shots you need without getting bogged down with settings.
Manual mode puts you in the driver’s seat. Switching to manual is like Luke Skywalker turning off his targeting computer. The aperture, shutter, and ISO are all in your control. And achieving the correct exposure is all up to you.
Going manual might seem daunting if you’re a beginner. But it’s the best way to learn about aperture in photography. You’ll learn how aperture affects your photos. And you’ll see how you need to balance aperture with the other exposure settings.
It will involve a lot of trial and error. That’s only natural. And you can always switch back to Av or Tv mode if necessary. The priority modes can help if you need to get certain shots. But if you have the time and freedom, manual mode is the best way to learn.
Using Aperture for Creative Photography
We’ve seen how aperture affects exposure in relation to shutter speed and ISO. Getting a good exposure is about balancing those three settings. But getting a textbook exposure isn’t always what a photographer wants.
You can also use aperture for creative photography. And the most obvious example is to darken your image by using a smaller aperture. This technique can change the mood and atmosphere of your image.
The basic theory of photography says you need to change the shutter and ISO if you’re using a small aperture. But if you want a darker image, you can use a smaller aperture without changing anything else.
If you look at the image below, you can see how the image changes as the aperture goes from wide to narrow. It gets darker with each f-stop change.
You don’t always have the conditions you need. And the light might not be correct for the type of shot you want. Changing the aperture size can help you get what you need even when the conditions are against you.
You can change to a smaller aperture if you’re working in bright sunlight. It will reduce the amount of light getting to the camera sensor. And your shot will be darker and moodier.
You can open the lens to a larger aperture when light is failing you. It’ll let more light in and give you a brighter picture.
Aperture and Depth of Field
Now we need to look at how aperture affects depth of field. We’ve mentioned depth of field several times in this article already. But we’ve yet to explain what it is and how aperture controls it.
What is Depth of Field?
Depth of field refers to how much of your photograph is in focus. It’s the distance between the closest object in focus and the farthest object in focus. You can have a shallow or deep depth of field. And it’s all controlled by the aperture.
A shallow depth of field is when only a small area of your shot is in focus. It’s common in portraits and macro photography. You’ll see the subject in focus, but the background and foreground will be out of focus. This blurry background technique is called a bokeh effect.
A photo with a deep depth of field has everything in focus. The details in the foreground and background will be in focus along with the main subject. This is common in landscape photography.
How to Control Depth of Field
You can go from a sharp shot with everything in focus to an intimate portrait with a strong bokeh effect by changing the aperture. And you also have everything in between.
If you want a large depth of field, you need a small aperture. If you want a shallow depth of field, you need a large aperture. That’s the general rule.
Using an aperture like f/1.4 or f/2 will give you a very shallow depth of field. It means only your subject will be in focus. Anything in front or behind it will be out of focus.
It can be a powerful effect, emphasizing your subject in the frame. But you need to be careful too. If your depth of field is too narrow, you can lose focus on parts of your subject. If it’s a portrait, the person’s eye might be in focus while the tip of their nose is out of focus.
A smaller aperture gives you a sharper image. The area of focus is much greater, so there’s little risk that your subject will be out of focus. A small aperture is helpful if you want the whole shot in focus or if you have two subjects at different distances.
One of the benefits of using a large aperture is that you can stick to a lower ISO. With a wide aperture, you’re getting lots of light. And keeping the ISO low will give you excellent image quality. But you’ll have to balance this with a faster shutter speed.
For a greater depth of field, you’ll need a narrow aperture like f/16 or f/22. The issue here is that the camera sensor is getting less light. You still want to keep the ISO low for maximum quality. The compromise has to be made with the shutter speed.
Getting it right can take some practice. But there are tools that can help you, like PhotoPills depth of field calculator. All you need to do is insert the relevant information, and the calculator gives you your depth of field.
Focal Length and Depth of Field
The focal length of a lens also affects the depth of field. Generally, a longer focal length gives you a shallower depth of field. A short focal length gives you a deeper depth of field.
A 50mm camera lens will naturally give you a greater depth of field. A 200mm lens will give you a narrower depth of field.
As we’ve seen above, lenses with larger focal lengths tend to have a smaller aperture range. While the maximum aperture of a 50mm lens might be f/1.4, a 200mm lens will have a maximum of f/4 or f/5.6.
A lens with a large focal length does have less aperture control, meaning you have less control over depth of field. But the longer the focal length, the easier it is to achieve a shallow depth of field. You can still get the soft bokeh effect when using a longer lens.
Aperture and Photographic Styles
We’ve seen how using different apertures in photography gives you different results. That’s why photographers in different areas favor some aperture sizes over others. We’ll look at some of the most popular fields of photography and see which apertures they use.
Bokeh is a popular effect in portraits, so many photographers favor wide apertures. They might go for an f/1.4 if they want a really soft background blur.
Not all portraits have a shallow depth of field. Other portrait photographers will want much of the shot in focus, especially if they’re using sets and props. But even so, they won’t venture too far down the f-stop scale. Portrait photographers usually go from wide to mid-range stops.
Landscape photography is all about capturing epic scenery and vast expanses. Landscape photographers need a deep depth of field that captures the whole scene. And for a greater depth of field, you need a narrow aperture.
Logic would suggest you use the narrowest aperture you have when shooting landscape. But there are problems when we take this too far. And the main problem is diffraction.
Diffraction is a lens distortion that appears when using a narrow aperture. It happens because the lens directs the light through a very narrow hole, which causes the light beams to cross. This results in a loss of image quality and sharpness.
You’ll only experience diffraction at the extremes of the scale, like f/32. You may see some at stops around f/22 as well. But anything wider than that should be ok, depending on the quality of your lens.
Wildlife photographers like to use telephotos lenses. They allow the photographer to get intimate shots of animals from long distances. But they are also limited in their range and don’t have some of the wider apertures.
Achieving a shallow depth of field isn’t a problem. Lenses with longer focal lengths naturally have a shallower depth of field. But the lack of wider apertures does mean wildlife photographers will increase the ISO setting if lighting conditions aren’t perfect.
A fast shutter speed is also beneficial for wildlife photography as animals move fast. You want a clean animal shot with no motion blur. And with fewer apertures, you have to compensate with ISO.
Sports photography is much like wildlife photography. You’ll most often want a telephoto lens. And you’ll often be shooting fast-moving subjects in low-light conditions.
With sport, a fast shutter speed is a must to avoid motion blur. And the large lens might not have an aperture larger than f/5.6. You might have f/4 if you have a high-speed lens.
Much will depend on the lighting conditions of the event you’re shooting. But if you’re working at night, you will need to opt for a higher ISO.
Street photography gives you a lot of freedom when it comes to apertures. Street photographers like to use 35mm to 50mm lenses. And standard angle lenses like these have a good range of apertures. They might have a range from f/1.4 to f/22.
If light conditions are good, you can keep the ISO low. You’re then free to play with aperture and shutter speed to get the street shots you want.
What is aperture? Aperture in photography is the hole in your lens that leads light to the sensor. But it’s more than just a hole. It’s one of the three corners of your exposure triangle. And you have to think about it every time you take a picture.
Different lenses have different aperture settings. But all lenses use the same f-stop scale to calculate the aperture. But a 50mm prime lens has different apertures than a 200mm telephoto lens. And lenses can be fast or slow according to their aperture settings.
You need to think about your aperture for the correct exposure. But it also affects the mood and atmosphere of your photos. And it also gives you control over depth of field. Using a large aperture will give you a shallow depth of field. And a narrow aperture gives you a deeper depth of field.
As one of the three corners of the exposure triangle, aperture is a must-know topic in photography. But that’s enough theory for now. It’s time to pick up your camera and put your new knowledge into practice.
Check out our Photography for Beginners course to master all three corners of the exposure triangle!